框之屋 House of Frames
瑞士08.2025
“框之屋”通过建筑的走廊与开口，将日常活动与外部景观一同框定。
走廊不再只是交通的过渡，而是成为一种流动的生活场所：行走、停留、交谈都被赋予意义。
建筑以其开口如取景器般捕捉自然，同时也让居住者的动作成为画面的一部分。
The House of Frames captures both daily activities and the surrounding landscape through corridors and openings.
The corridor is no longer a neutral passage, but a lived space: walking, pausing, and conversing are imbued with meaning.
Openings act as viewfinders, framing not only the landscape but also the residents’ gestures, turning life itself into part of the composition.
“框之屋”是一个观看与被观看的容器。
自然是恒久的背景，生活是不断变化的前景。
通过框的秩序，建筑将两者结合，让居住者既是观景者，也是风景的创造者。
The House of Frames is a vessel for both seeing and being seen.
Nature forms the enduring backdrop, while life unfolds as the shifting foreground.
Through the order of frames, the house unites the two—making residents both viewers of the landscape and actors within it.
观石台 Viewing platform
挪威03.2025
该观景平台位于挪威南部峡湾地区的矿区地带，它不仅是眺望远景的场所，更是供人停留与休憩的空间。
设计从椅子的形态出发，逐渐延展为步道，并最终汇聚成一个面向岩石与地貌的瞭望装置，使观者在行走与停驻之间体验环境的层次与变化。
Located in the mining landscapes of Southern Norway’s fjord region, this viewing platform is conceived not only as a place to look outward but also as a place of rest and reflection. Beginning as a series of seats, it gradually transforms into a pathway that ultimately culminates in a vantage point—an architectural device for observing the stones and the surrounding terrain.
铜阶
The Copper Stair
挪威05.2025
“铜阶”项目位于挪威南部Jøssingfjord峡湾的风景道路上，它不仅是一个路边停靠点，更是一个由道路日常过渡到景观深度感知的空间装置。
设计将一个曾因采矿与道路工程而形成的岩台重新赋予意义，把原本崎岖、受阻的攀爬转化为一个可被感知和体验的上升路径。
核心元素是一段由停车区直接延展出的铜质楼梯，它引导人们走向最高点的玻璃砖咖啡亭；与此同时，公共卫生间被低调地嵌入岩体基座之中。两者之间形成了对比与叙事：隐蔽扎根的服务空间与透明高耸的目的地。
The Copper Stair is a roadside intervention along the Norwegian Scenic Routes in Jøssingfjord, designed as more than a rest stop—it is a crafted transition between infrastructure and landscape. The project reclaims a former rock shelf shaped by mining and road engineering, transforming an obstructed and precarious climb into an accessible sequence of experience.The design centers on a copper stair that rises directly from the parking area, guiding visitors towards an elevated glass brick kiosk, while a public toilet is discreetly embedded within the rock base. This duality—between the grounded, concealed service space and the elevated, transparent destination—forms the core architectural narrative.
材料策略强调与场地地质的对话：铜在时间中由温暖的金属光泽逐渐氧化为绿色铜锈，呼应苔藓坡地与矿产记忆；
玻璃砖与混凝土则在坚硬的辉长岩背景中呈现清晰的人造秩序，同时保持视觉的轻盈与谦逊。
最终，“铜阶”既是路径又是观景台：它框定峡湾的壮丽景象，让时间的痕迹渗入材料之中，并在尊重自然主导性的前提下，为人们提供一个可达、可感的景观体验。
Material choices emphasize dialogue with the fjord’s geology: copper, with its time-based transformation from metallic luster to green patina, resonates with the anorthosite cliffs and moss; glass bricks and concrete provide contrast while maintaining visual slenderness against the monumental rock backdrop.The Copper Stair is both path and platform: a structure that frames the fjord’s grandeur, celebrates the passage of time, and respects the dominance of the natural landscape while offering a dignified, accessible encounter with it.
About Atelier Within
在内合，“Within” 是我们的方法论：一切从内在逻辑出发——细听场地的脉动、体察材料的肌理、回应使用者真实行为与需求；在清晰的边界之内构建自洽整体，让空间、材料、功能与体验互为条件、相互成全，以意义统领形式；同时把时间纳入设计，把记忆、风化与使用的轨迹视为连续生成的一部分，使建筑在岁月之中不断生长新的诗意；并以包容与共生为底色，让设计扎根地点，与自然、文化与人同行，成为容纳多样体验与未来可能性的温室。
At Within Design, “Within” is our guiding methodology: every decision begins with an inner logic—attuning to the pulse of the site, the grain of materials, and the genuine needs of its users. Within clear boundaries, we shape a coherent whole where space, material, function, and experience interdependently sustain one another, with meaning leading form. We embrace the dimension of time, recognizing memory, weathering, and use as continuous processes that allow architecture to unfold new layers of poetry over the years. And at its foundation, inclusion and coexistence: design is rooted in place yet grows in dialogue with nature, culture, and human life, becoming a greenhouse for diverse experiences and future possibilities.
杨浩云
Haoyun Yang
haoyun.yang@outlook.com
我们的设计理念在于让景观与建筑彼此谦让，把空间体验作为唯一的准则。我们虔诚地聆听场地、材料与使用者的低语，以“最低有效干预”的方式轻轻介入，确保每一次动作都蕴含明确而纯粹的价值。在多感官的诗性编织中——石头的温度、木材的纹理、光影的流动与脚步的回响——时间的风化与季节的律动不断为空间书写新的注脚。设计因此摒弃炫技，回归精准与分寸；在温柔而深邃的触感里，扶起秩序，让优雅在岁月沉淀中愈加醇厚：它不以奢华取胜，而以克制、精确与意蕴，成就真正的含蓄之美。
Our design philosophy lies in allowing landscape and architecture to yield to one another, with spatial experience as the sole criterion. I listen with reverence to the whispers of site, material, and user, intervening only with the lightest and most essential touch, ensuring that each gesture carries clarity and purity of value. In a multi-sensory poetic weaving—the warmth of stone, the grain of wood, the play of light and shadow, the echo of footsteps—time’s weathering and the rhythms of the seasons inscribe continuous annotations upon space. Thus, design abandons display for precision and measure; in gentle yet profound tactility, it restores order, allowing elegance to deepen with the passage of years. It does not seek to impress through luxury, but achieves the true beauty of restraint, exactness, and meaning.
Education
哈佛大学设计研究生院 建筑学硕士
Harvard University Graduate School of Design
Master of Architecture
2023-2025
波士顿建筑学院 建筑学学士
Boston Architectural College
Bachelor of Architecture
2017-2022
(upcoming) Tincidunt TBA
Ultricies Ultricies,
Congue Nisl
2026
(upcoming) Vestibulum-Vitae
Auctor Ipsum,
Dictumst Ligula,
Porta Libero
2024
Suspendisse
Molestie Aenean,
Facilisis Tellus,
Porta Libero
2024
Ultrices
Parturient Felis,
Pharetra Nibh,
Porta Libero
2023
Eu & Fringilla, Collaborative
Imperdiet with Quam Sodales
2023
Semper
Cursus Tempus,
Porta Libero
2023
Dictum, Elit. Vestibulum
Gravida Congue
2023
Rhoncus Congue
Ullamcorper Suspendisse,
Duis Ornare Porta Libero
2023
Pellentesque Ornare
Porttitor Ultrices,
Sagittis Tempor
2022