mind
The Copper Stair is a roadside intervention along the Norwegian Scenic Routes in Jøssingfjord, designed as more than a rest stop—it is a crafted transition between infrastructure and landscape.
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1992
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它并非退回私密的内部，而是被抬升、被共享，成为一处介于城市与生活之间的静谧空隙。
在这里，开放、轻盈与集体性共存，使日常的停留与相遇在城市的转角悄然发生。
One Column Backyard is situated on a corner site in the dense town center of Érvy-le-Châtel, reimagining the backyard as a suspended space within the city.
Rather than retreating inward, it is lifted and shared—forming a quiet clearing between urban fabric and everyday life.
Here, openness, lightness, and collectivity coexist, allowing moments of pause and encounter to gently unfold at the corner.
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两条废弃的铁轨与一座旧站台静静并置，承载着小镇曾经的流动与到达。
项目并未抹去这些痕迹，而是选择在其之上生长——让新的构筑物悬浮于既有轨道之上，使记忆成为结构的起点。
Above the Tracksis located in the medieval town of Évry-le-Châtel, within a narrow, linear site marked by two abandoned rail lines and a forgotten platform.
Rather than erasing these remnants, the project builds upon them—allowing new structures to hover above the existing track, where memory becomes the point of departure.
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Focusing on Chicago’s classic 6-flat typology, this project addresses the pressing demand for affordable and diverse housing in the contemporary city. While preserving the original structural integrity and economic feasibility, the design re-examines the adaptive potential of this established housing form to accommodate modern lifestyles.
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基地由三种状态并置而成：平坦的停车场、一道狭长而粗粝的岩石，以及岩石之后骤然坠落的悬崖。
建筑介入其中，并未试图占据这片地形，而是以一种几乎不触地的姿态，悬浮其上。
Balance Act is located along the Scenic Routes of southern Norway, set within an extreme coastal landscape.
The site unfolds in three conditions: a flat parking area, a narrow strip of exposed rock, and a cliff that drops abruptly toward the sea. Rather than claiming the ground, the project hovers above it—present, yet deliberately restrained.
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自然是恒久的背景，生活是不断变化的前景。
通过框的秩序，建筑将两者结合，让居住者既是观景者，也是风景的创造者。
The House of Frames is a vessel for both seeing and being seen.
Nature forms the enduring backdrop, while life unfolds as the shifting foreground.
Through the order of frames, the house unites the two—making residents both viewers of the landscape and actors within it.
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"Home, Sweet Home" is more than a sanctuary for the body and mind; it is a "vessel of time" that holds memories and warmth. Here, architecture is no longer a cold physical presence. Instead, standing as a guardian, it responds to the elderly's yearning for dignity, companionship, and a sense of belonging.
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Through the renovation and expansion of the Broken Hill Railway Station in Australia, this project explores the functional transformation and performance enhancement of transport architecture in extreme climates. The design defines the building as a 'climate device' situated between the landscape and infrastructure. While fulfilling the complex functions of a transport hub, it actively responds to the arid region’s intense solar radiation and frequent sandstorms.
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基地曾是一片活跃的采矿场：起伏的 结构、孤立的水塔，以及一口深达三百米的矿井，共同构成了小镇关于劳动与掘进的记忆。
项目并未在地表再添新的形象，而是选择退入地下，与这段被开采的历史并行存在。
Buried Gaze is located in the remote mining town of Broken Hill, deep within the Australian desert, on a former industrial mining site.
Structures, water tanks, and a mine shaft plunging 300 meters into the ground mark a landscape shaped by extraction and labor.
Rather than introducing a new object on the surface, the museum withdraws underground, existing alongside the memory of excavation.
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Located in downtown Boston, this project involves the adaptive reuse of a former dining space into a community theater, spatially integrated with an adjacent pizzeria. The design investigates the symbiotic potential between public cultural functions and daily commercial activities within existing fabrics. Using 'performance' as the central narrative thread, the architecture not only facilitates theatrical productions and public events but also orchestrates the continuous rhythm of daily operations.
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Atelier Within 是一个成立于美国波士顿的设计联盟，汇聚全球新兴建筑师与设计师。它推动成员间的批判性对话与跨学科协作，探索多元文化语境下的当代设计实践。同时，通过成熟的全球生产网络，帮助国际设计师将概念转化为高质量、可量产的实体产品，实现从工作室创意到生产落地的无缝转化。
Atelier Within is a design alliance founded in Boston, gathering a community of emerging architects and designers worldwide. It fosters critical dialogue and interdisciplinary collaboration, exploring design practice across diverse cultural contexts. At the same time, it connects international designers with reliable global production networks, transforming concepts into high-quality, scalable products—bridging studio vision seamlessly to tangible realization.
Member
成员
杨浩云 Haoyun Yang
游牧式设计师，波士顿建筑学院建筑学学士与哈佛大学GSD MArch II 硕士。早期聚焦工作室研究与市场实践交叉，涵盖竞赛、概念设计及生产链条。自2024年起创立Atelier Within，构建全球设计师联盟并提供海外生产实现服务。设计从内在逻辑出发，倾听场地、体察材料、回应真实需求，构建自洽整体，以意义统领形式，建筑本身应该有它想主动给人的“内核体验”，而不是被动地被功能或形式填满。
Haoyun Yang is a nomadic designer holding a Bachelor of Architecture from Boston Architectural College and a Master of Architecture II from the Harvard Graduate School of Design. His early practice focused on the intersection of studio research and market application, spanning competitions, concept design, and production supply chains. In 2024, he founded Atelier Within, an initiative dedicated to building a global designer alliance and providing overseas production realization services. His design approach stems from an internal logic—listening to the site, perceiving materiality, and responding to authentic needs to construct a self-consistent whole where meaning guides form. He believes that architecture should actively offer a specific "core experience," rather than serving as a vessel passively filled by function or form.
朱一鸣 Yiming Zhu
毕业于同济大学建筑学专业，现就读哈佛大学GSD MArch II。早期实践横跨中国与北美，建立从概念到建造的系统理解。设计关注语境、时间与记忆关系，聚焦遗址改造与小尺度文化空间，以克制精准介入延续历史痕迹，使建筑在时间层次中被逐步感知与发现。
Yiming Zhu holds a Bachelor of Architecture from Tongji University and is currently an MArch II candidate at the Harvard Graduate School of Design. Her early practice spans China and North America, establishing a systematic understanding of architecture from concept to construction. Her design research investigates the relationships between context, time, and memory, with a specific focus on the adaptive reuse of heritage sites and small-scale cultural spaces. Through restrained and precise interventions, she seeks to extend historical traces, allowing architecture to be gradually perceived and discovered within layers of time.
苑瑞哲 Ruizhe Yuan
拥有北京建筑大学建筑学士与哈佛大学GSD MArch II硕士学位。曾任职于Urbanus、BIG及Perkins Eastman，在文化类建筑改造与养老住宅领域积累了丰富的设计与落地经验。致力于探索存量设计的未来，聚焦于对“既有建成环境”的关注和对“社会结构存量”的回应；同时立足本土语境，探索具有独特在地审美的设计表达。
Ruizhe Yuan holds a Bachelor of Architecture from the Beijing University of Civil Engineering and Architecture and a Master of Architecture II from the Harvard Graduate School of Design. Having practiced at Urbanus, BIG, and Perkins Eastman, she possesses extensive experience in the design and realization of cultural renovation projects and senior living communities. Her work explores the future of "existing stock," focusing on the built environment while responding to established social structures. Rooted in local context, she seeks design expressions that embody a unique, site-specific aesthetic.
董松 Song Dong
毕业于 哈佛大学GSD MArch I。他从事建筑设计，但并不执着于让建筑始终“看起来正确”。相比形式的完成度，他更关心的是在多年之后，这些空间是否仍然被人持续使用。如果一座建筑在时间中显得有些别扭，那往往意味着它仍然活着。
Song Dong graduated from the MArch I program at Harvard GSD. He practices architecture, but is not fixated on making buildings always "look correct." Rather than formal completion, he is more interested in whether these spaces will still be continuously used many years later. If a building appears somewhat awkward over time, it often means it is still alive.
杨昕璇 Xinxuan Yang
拥有清华大学建筑学（新闻双学位）学士与哈佛大学GSD MArch II硕士学位。足迹遍布北京、瑞士与洛杉矶，曾作为主创赢得瑞士日内瓦博物馆改造竞赛。目前聚焦住房设计与存量更新。她关注空间如何被“生活”而非被“完成”，主张通过对现实条件的精确判断，创造兼具灵活性与时间深度的使用价值；探索个体与时代的对话，呈现既轻盈又厚重的流动状态。
Xinxuan Yang holds a Bachelor of Architecture (with a dual degree in Journalism) from Tsinghua University and a Master of Architecture II from the Harvard Graduate School of Design. Her practice spans Beijing, Switzerland, and Los Angeles, including a winning entry for the Geneva Museum renovation competition. Currently focused on housing and adaptive reuse, she views space as something to be "lived" rather than "finished." She advocates for design grounded in precise judgment to create flexibility and long-term value, exploring the dialogue between the individual and the era to achieve a state of fluid, enduring resonance.
黄幸 Xing Huang
毕业于堪萨斯州立大学景观建筑专业，获本硕学位。早期实践涵盖中国的商业零售空间、城市更新与门店设计等不同尺度的项目，在反复接触真实使用场景的过程中，逐渐将关注点从单一空间对象转向对使用者经验的持续观察。相比宏大的叙事，更在意那些发生在日常环境中的细小瞬间——一次停留、一次会心的幽默、一次与当下的重新连接。在她看来，设计并非为了完成表达，而是为略显笨拙却顽强的生活留出空间，并以温柔而克制的幽默回应现实的不完美。插画成为她另一种观察与表达的媒介，用以延续对日常、幽默与“短暂治愈”的持续关注。
Xing Huang holds a Bachelor’s and a Master’s degree in Landscape Architecture from Kansas State University. Her early work spans commercial retail spaces in China, urban renewal projects, and store design at varying scales, where she gradually shifted her focus from designing isolated spaces to observing how people move and feel in these environments. Rather than pursuing grand narratives, her work pays attention to small, everyday moments. For her, design is not about making statements or achieving a finished form, but about creating space for life as it is—imperfect, resilient, and quietly humorous. Illustration has become another way for her to observe and express, offering a more direct and intimate medium for capturing everyday humor and brief, meaningful moments of relief.
卢卡斯·阿尔马希 Lucas V. Almássy
Lucas V. Almássy 拥有加州大学伯克利分校建筑学学士学位，以及哈佛大学设计研究生院建筑学硕士II（MArch II）学位。他的职业经历横跨旧金山湾区、波士顿与圣地亚哥，曾先后在Steven Holl Architects与BIG（Bjarke Ingels Group）等事务所参与项目实践。 他致力于发展一种当代的原始精工表达（refined digital primitivism），以石头、木材、混凝土等基本材料的本真质感与时间记忆为媒介，创造出个体感知、自然节奏与文化脉络之间既轻盈通透、又深沉持久的共振关系。
Lucas V. Almássy holds a Bachelor of Arts in Architecture from the University of California, Berkeley, and a Master of Architecture II (MArch II) from the Harvard Graduate School of Design. His professional experience spans the San Francisco Bay Area, Boston, and San Diego, with project involvement at firms including Steven Holl Architects and BIG (Bjarke Ingels Group).He is dedicated to developing a contemporary refined digital primitivism, using the authentic texture and temporal memory of fundamental materials—such as stone, wood, and concrete—as a medium to create a resonant relationship between individual perception, natural rhythms, and cultural narratives that is at once light and transparent, yet profoundly enduring.
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